Messenger of Music

Dorothy Lee Fulton, Messenger of Music
with the Messenger of the Great White Brotherhood
on the High Altar at King Arthur's Court,
Royal Teton Ranch, Montana

"Beloved Dorothy, I, Mary, receive you to my heart. Come and take my hands.

[10-second pause]

"I transfer to you from my Causal Body of Light the healing ray, the healing ray of the light and sound ray. I anoint you to bring forth music for the healing of souls, the healing of wrong desire, the healing of misuse of the power of thought and the power of feeling, the strengthening of the membrane of the vessels of Light.

"I transfer an increment of my Diamond Heart and give to you angels of protection, angels of protection against astral entities that have burdened you and astral substance around you. They form a ring of Light.

"I, Mary, desire that you should bring forth this music under the direction and the call of the Messenger and with the support of the musicians of my staff, for they are worthy and they have moved onward in their celebration of my flame. They have brought forth my songs. They have recorded, they have sung, they have played, they have arranged.

"Thus, let the mandala of music now be close and defend therefore this great calling, for it is assailed by every fallen one upon earth who hold the earth hostage to their diabolical music and sounds, sounds you have not heard, for we have sealed them in hell—the sounds of their voices, the sounds of demons cackling and mocking and in their sensuality.

"Yes, beloved, pray that these sounds be not unleashed. You think you have heard the worst but there is far worse that has been held back by the decree of the Lightbearers and the singing of the songs.

"Therefore the mantle of protection is given. This entire dispensation of music comes under the mantle of the Messengers, sponsored by all of us. Let there be a closeness and a love and a harmony betwixt you all as you come from the outer court to the inner court and now turn your attention to the spiritual sounds that must be released. For I, Mary, tell you that unless they be released we will not have the wherewithal to save the souls that could be lost in physical embodiment or on the astral plane.

"Beloved, all of this comes forth because the one, the two and the few have had the victory over the fallen one in the garden of God in a mystery school. And therefore a statement is made and a strength is given. May all support this, beloved, by going after that moment of the fall and binding that fallen one and the dweller. Your Messenger will instruct you, beloved.

"Thus by the power of the Emerald Matrix I am sealing this servant of God who comes from angelic realms. May you know what a priceless gift you have in your midst and pray for the fulfillment of the calling of all musicians and those who are to come, those who will hear this dictation and know that it is time that they take their place in this mandala and contribute to this stream of the new music that shall surely usher in the Golden Age of Aquarius, if you are faithful to this call.

"I AM Mary of the Diamond Heart of Omega. It is finished."

Mother Mary

"The names of God when chanted with deep devotion are an empowerment. Therefore, you shall know the great chalice prepared and prepared again by our Messenger, the messenger of music and the musicians to bring into the cells, atoms and electrons of your being even the levels of God according to the vibrations of the precious names of God.

"Know the names of God and you will truly dwell in the Holy Spirit. Recite or chant the names of God in this order and you shall one day be admitted to the Holy of holies: Adonai, El Hai, Shaddai, Elohim Tzevaot, Adonai Tzevaot, Adonai, Elohim, El, Elohim, Yah, Ehyeh Asher Ehyeh, I AM THAT I AM.

"Know, beloved, that for millennia fallen angels in all the world’s religions have denied the names of God unto the people, and yet the gift is unto “the least of these thy brethren.” The name of God is not to be silenced but it is to be recited. It is to be sung. It is to be self-realized. “And this is my name forever and my memorial to all generations, I AM THAT I AM”—Ehyeh Asher Ehyeh.

"When you quaff the full cup of this conference and chant the names of God with the Maha Chohan, not only shall you realize the glory of this music and the sound of the Word in the innermost recesses of your being but, if you retain purity of heart, you will know day by day empowerment through the names of God."

"The song 'Lanello’s Excelsior,' brought forth by our messenger of music, encapsulates the soul of Mark L. Prophet. (Mark used the pen name Lanello, which he later took as his Ascended Master name after he attained union with God through the ritual of the ascension on February 26, 1973.) It is a sweet and gentle melody set to words from a dictation. The haunting minor key of 'Greensleeves,' Lanello’s keynote, is woven through the second half of the piece and leaves us with the call from Lanello’s heart to 'Come to the Home of the Mother, the One.' The words and music, enhanced by the orchestration and by the performance of the Church Universal and Triumphant Choir, take us to the soul level of Lanello, allowing him to step through the veil and touch our hearts as no one else can.

"In this piece we greet Lanello with the angelic salutation 'Hail!' It is a greeting you will often hear exchanged between angels on the heavenly highways. And so we sing, 'Hail, Lanello!' and then, 'The world awaits thy coming,' followed by the well-known and oft-repeated fiat of Archangel Michael, 'Charge, charge, charge and let Victory be proclaimed!' Because Lanello stands next to us as we sing, we internalize something new and special each time we sing to him. We gain a sense of co-measurement with him and, through him, with our Mighty I AM Presence.

"So whenever you sing this song, whisper sweet calls to Lanello during the interludes. For example: 'Lanello, reveal my soul to me and show me how I can bring my soul to wholeness and maturity in preparation for my becoming the Bride of Christ.'

"If we cannot see the Masters, if we cannot hear the Masters, if we cannot converse with the Masters, if we do not know how to consciously walk and talk with the Masters on the path of life, there is one thing we can do: We can go to the heart of the music inspired by the hosts of the Lord and many qualified musicians on earth who serve on the Fifth Ray of Truth, Science, Healing and Music and follow that music back to the heart of the Masters.

"Yes, we can follow it back to the heart of the Elohim Cyclopea and Virginia, the Archangel Raphael and the Blessed Mother Mary, the angels of music and the All-Seeing Eye of God, and the Ascended Masters serving on the Fifth Ray with Hilarion. We can go to the heart of the music and follow it back to our own souls, to our Holy Christ Self and to our beloved I AM Presence."

Elizabeth C. Prophet

Cosmic Portals Choir
at a North Glastonbury Community Function

"Blessings, blessings, blessings without limit. The music of the spheres is in your hands and hearts. I will be watching how you will make the most of this dispensation and deliver it to all peoples. Thus shall we see transformation in worlds without end."

Serapis Bey

"The healing effect of the music that has come forth from the Elohim Cyclopea through the messenger of music and your choir has been amplified as you have played it around the world. This music can also have a powerful effect in bringing in the New Age. We must not wait. We must not delay but see to it that the world receives this new music on audiocassette and CD as quickly as possible."

Beloved Cuzco

Poznaj zycie pelne
glebokiej milosci

(Know a Life Full
of Profound Love)

Archangel Michael
E.C. Prophet, 9 pazdziernika 1994
Inner Retreat, MT
Copyright © 1994
The Summit Lighthouse
All rights reserved.

Wspanialy kielich

(Great Chalice

Lord Lanto
E.C. Prophet, 30 grudnia 1994
The Inner Retreat, MT
Copyright © 1994
The Summit Lighthouse
All rights reserved.

Utwor ten

(This Piece Sealed)

Maha Chohan
E.C. Prophet, 1 stycznia 1995
The Inner Retreat, MT
Copyright © 1995
The Summit Lighthouse
All rights reserved.

Muzyka sfer

(The Music
of the Spheres)

Serapis Bey
E.C. Prophet, 1 stycznia 1995
The Inner Retreat, MT
Royal Teton Ranch, USA
Copyright © 1995
The Summit Lighthouse
All rights reserved.
Muzyka jest w stanie pobudzic
lud do walki o wolnosc

(Music Is Able to Galvanize
People to Fight for Freedom)

Lady Master Nada Rayborn
E.C. Prophet, 14 kwietnia 1995
The Inner Retreat, MT
Royal Teton Ranch, USA
Copyright © 1995
The Summit Lighthouse
All rights reserved.
Niech swiat przyjmie
te nowa muzyke!

(Let the World Receive
This New Music!)

E.C. Prophet, 16 kwietnia 1995
Royal Teton Ranch, USA
The Inner Retreat, MT
Copyright © 1995
The Summit Lighthouse
All rights reserved.

Dorothy Lee Fulton was embodied as a German composer, Johannes Brahms, (May 7, 1833 —April 3, 1897). Brahms was born in Hamburg. His father, who gave him his first music lessons, was a double bassist. Brahms showed early promise on the piano and helped to supplement the rather meager family income by playing the piano in restaurants and theaters, in bars and brothels, as well as by teaching. For a time, he also learned the cello, although his progress was cut short when his teacher absconded with Brahms's instrument.

Like Beethoven, Brahms was fond of nature and often went walking in the woods around Vienna. He often brought penny candy with him to hand out to children. To adults Brahms was often brusque and sarcastic, and he sometimes alienated other people. His pupil Gustav Jenner wrote,

'Brahms has acquired, not without reason, the reputation for being a grump, even though few could also be as lovable as he.'

He also had predictable habits which were noted by the Viennese press such as his daily visit to his favourite 'Red Hedgehog' tavern in Vienna and the press also particularly took into account his style of walking with his hands firmly behind his back complete with a caricature of him in this pose walking alongside a red hedgehog.

Those who remained his friends were very loyal to him, however, and he reciprocated in return with equal loyalty and generosity. He was a lifelong friend with Johann Strauss II though they were very different as composers. Brahms even struggled to get to the Theater an der Wien in Vienna for Strauss' premiere of the operetta Die Göttin der Vernunft in 1897 before his death.

Perhaps the greatest tribute that Brahms could pay to Strauss was his remark that he would have given anything to have written The Blue Danube waltz. An anecdote dating around the time Brahms became acquainted with Strauss is that the former cheekily inscribed the words 'alas, not by Brahms!' on the autograph score of the famous 'Blue Danube' waltz.

Brahms venerated Beethoven, perhaps even more than the other Romantic composers did. In the composer's home, a marble bust of Beethoven looked down on the spot where he composed. His works contain a number of apparent imitations of Beethoven. Thus, the beginning of Brahms's First Piano Sonata is very close to the opening of Beethoven's Hammerklavier sonata; and the main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth. (When the latter resemblance was pointed out to Brahms, he replied, "Any ass can see that.")

Brahms also loved the earlier Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and also edited performing editions.


Translation for 140 languages by ALS

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