His writing has everything: finely drawn and colorful characters,
empathy for humans and animals, a good story set in a gentler
time, humor, respect for uneducated but hard-working people and
an appreciation of the land.
But there is something else in Herriot's writing,
a glow of decency that makes people want to be better humans.
I guess we would call it spirituality these days, this profound
belief of Herriot's that humans are linked to all animals, whether
they be the calves he helped birth or pampered pets like Tricki
Woo, Mrs. Pumphrey's lovable but overfed Pekinese.
In the introduction to "James
Herriot's Dog Stories," he goes into more detail about
how he always loved dogs and supposed that he would someday have
an up-to-date, small-animal practice, even though veterinary medicine
was in trouble in the 1930s because draft horses were being phased
out and keeping small pets was seen as "slightly cissy"
by the hard-working farm folk.
Even as a boy, he was intrigued by dogs: "I
could never quite take dogs for granted. Why were they so devoted
to the human race? Why should they delight in our company and
welcome us home in transports of joy? There were so many different
shapes, sizes and colors, yet they all had the same fundamental
characteristics. Why, why?"
Herriot never got his small-animal practice,
but he didn't care. He was content to lave cow's stomachs, lie
on cold stone floors to examine downed horses and muck around
in pigpens so he could spend part of each day caring for dogs
and cats at Skeldale House.
"I love writing about my job because I loved it, and it was
a particularly interesting one when I was a young man. It was
like holidays with pay to me. I think it was the fact that I liked
it so much that made the writing just come out of me automatically.
I was helped by having a verbatim memory of what happened years
ago, even if I can't remember what happened a couple of days ago.
"Years ago, farmers were uneducated and eccentric and said
funny things, and we ourselves were comparatively uneducated.
We had no antibiotics, few drugs. A lot of time was spent pouring
things down cows' throats. The whole thing added up to a lot of
laughs. There's more science now, but not so many laughs."
The fact that James Herriot of the imaginary
Darrowby is really Alf Wight of Thirsk is no longer a secret.
A quaint journalistic convention of not identifying him or his
location grew up early in his writing career, when he was still
practicing as a vet and would tell reporters who tracked him down,
"If a farmer calls me to a sick animal, he couldn't care
less if I were George Bernard Shaw."
In his story "The Card Over the Bed,"
Herriot writes of an old woman whose only fear is that she may
never be reunited with her animals after death because some people
say animals have no soul. Holding the old woman's hand, Herriot
replies:
"If having a soul
means being able to feel love and loyalty and gratitude, then
animals are better off than a lot of humans. You've nothing to
worry about there."
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